I got my ceramic pots from both the wood fire kiln and the gas kiln on the same week! 

Bowl. White glaze. Woodfired


I love how woodfired pieces create an inconsistency. You really don't know what will happen to them. 
I love this texture but I can't use it unless I pop every bubble so Im leaving it as it is.


My babies! I was engrossed with enclosed form during this time. I now have four eggs.
I like the one on the right with a white glaze on top that looks like whipped cream over coffee.


Bowl in brown glaze. Outer part unglazed.


My precious teapot! I also love this color. Excellent unexpected glaze!


And something I experimented on after seeing Tessy Pettyjohn's work :)



Lovely turquoises.

Also, I've put up a new illlustration and ceramics portfolio. You can view it here



Note to self 021313:  After a second try at wood firing, I've seen how much better we've done this time around. Only that my works aren't there and I really wished they are because I can feel how good the outcome of 10 hours of labor is . Also inspired by students' works. I've tried to avoid this for the longest time but I guess I'm ready to move ceramics to art-level. Read more...


This is my first time to experience wood firing.
I wasn't expecting anything from it. I arrived at the studio past lunchtime and Kuya Carl was there putting wood on the kiln. I took a chair and watched as the fire burns the wood to ember. And the process repeats itself until I hardly noticed, an hour had already passed! The fire somewhat draws me to it, a sort of calming feeling watching it rise up and burn down in a cycle. The fire sends some warmth to my skin on this cold January.



A few hours more and I decided to join in the stoking. The pattern was two and four on alternate. Kuya Carl had the left side and I was in charge of putting wood on the other. We had to watch for the temperature changes. A drop meant we have to stoke again. We have to constantly watch for signs: the smoke on the chimney, the pyrometers, the temperature gauge, or the burning wood.



We used plywood at first and it took long before it reached the desired temperature. 
Later, we shifted to palochina.



The camera doesn't show but flames are rising up the chimney!


It's more evident at night. Red-orange flames up the roof.

I ended up staying til 8pm! Wow. I never thought I'll be this enamored by burning wood! 
I learned a lot of new things that day. Spontaneity pays off. I hope hardwork pays off too. Now I wonder how my pots turned out to be. :)

I realized I'm happiest with experiencing the process than expecting how the outcome will look like. 
I guess this also applies with my life.


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Pinto Art Gallery is a treasure cove of Philippine's contemporary art. Located in Antipolo, Rizal, this one-hectare of rolling hills is converted into a compound of galleries and a vacation house for Dr. Cuanang.

It houses works from prominent visual artists in the Philippines like Mark Justiniani, Elmer Borlongan, Rodel Tapaya and a whole lot more. It goes in every corner of this Mexican-inspired architecture. I also think that its structures are noteworthy and in itself holds a grand design. How they incorporated the rocks found in the area to be part of the building is something visually fresh and organic.

I visited Pinto with other members of Ang Ilustrador ng Kabataan (Ang InK) on a Saturday.


The entrance greets you with a number of terra cotta and bronze sculptures


Wide indoor spaces are everywhere! I love this kind of minimalist design.


Installations like this man with snails all over can be found in the gardens

Rocking horse


Karnabal by Saling pusa Group




Rodel Tapaya



Portrait of the owner, Dr. Cuanang.


More installations!




Sculpture by Riel Hilario if I'm correct. I'm not too sure.


Rooms and rooms of more art! It goes on.


Roberto Acosta terra cotta sculptures. I love the bright aura it omits.


Aparisyon by Salvador Alonday


Shoe box


Note: This place deserves a second post just for the gardens.
This is definitely one of the places I want to come back to.

END
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It's that time of the year again! Ang InK is now open for new members!

Requirements:

1. Accomplished application form. Click here
2. One (1) illustration based on the poem by Eugene Y. Evasco, “Sino Ako?” View here
3. Five (5) sample illustrations from your portfolio 
 72 dpi, JPEG or PNG | Dimensions should be at least 1000 x 1000 pixels

Deadline on February 20, 2013 || Email at hello@ang-ink.org
Please indicate subject as: 2013APP: FirstName LastName

Goodluck!



This is the original version of the poster :) Just sharing
9 x 12 | Gouache and white ink on Watercolor Paper
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 I have been sketching and painting personal works lately. 
Sharing some self-portraits and my vulnerabilities with you, strangers.

Butterfly Rash
Gouache on Watercolor Paper

The Pricking Step
Gouache, Ink and Inktense Pencil on Watercolor Paper


Lupus is hard to describe to common people. It is a silent illness and often misunderstood. It manifests in numerous forms like a simple rash, an aching joint, a fever or a fatigue that sometimes, it is called a disease with a thousand faces. Don't worry, mine isn't life threatening nor extremely painful but it is something I live with everyday. It comes and goes whenever it wants. It is like the rain - when it pours, it pours and the only thing you can do is wait for it to stop and surrender to it.

1) Butterfly Rash is a portrait of how SLE shows on the face. It is usually a reddening of the cheeks and nose bridge. It happens when I stay too long out in the sun (photosensitivity). And it feels like I have a fever on the cheeks. It also looks like a natural blush-on (ha ha). This has made me pretty self-conscious. Precautionary measures include a sunblock and something to cover me up from the heat.

2) The Pricking Step | The most common symptom I feel and I find very hard to explain! I would usually tell people it is arthritis but what I really feel is a cold on the middle part of my bones, sometimes like ants eating the marrows or something similar. I mostly feel it on my legs but it also occurs in my arms, wrists and fingers (joint areas). I use medicated patch to ease the pain and it does disappear after some time. 


"That is why (for Christ's sake), I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong." - 2 Corinthians 12:10



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Leaving traces, 
wasting.
Like I have
 nothing to lose

2012 was definitely a good year. There was less of traveling but there is more personal growth going around.
My creative juices have suddenly came to life. From a still-recovering-from-burnout phase to an 
I-don't-care-if-it-fucking-hurts-I'm-going-to-make-art. I am still going to choose art no matter


1.  Joined Ang Ilustrador ng Kabataan this year!  Met awesome people as well 2. Takatak Exhibit 3. Being a Studio Assistant at Clay Ave Pottery Studio for the Summer. Including a stint at the US Embassy! And definitely being more into ceramics 4. Ang InK's 21st Annual Exhibit 5. Experiment! It pays off in the end


My ceramic journey has also been awesome thanks to Pottery fieldtrips and studio time. To which you have heard numerous times in this blog!
Thank you for the following people: 

1. Ugu Bigyan || Tiaong, Quezon 2. Jon Pettyjohn || Calamba, Laguna 
3. Mia Casal || Quezon City 4. Anton || UP




 And all else that makes this year memorable.

1. Got Bailey (Pomeranian) this year! I now have three dogs in captivity as pets. 2. "Cultural tours" aka hanging out with my favorite people at National Museum or CCP. More Manila gala and less flying  3. Foodtrips with friends! 4. Usual trips to Polillo or Real, Quezon. Finished painting our resthouse, yeah. 5. And a recent trip to a waterfalls that I haven't shared yet :)

It's also this year that we moved house and I got special projects. This is a transition year for me. Grateful for all the changes that happened and I hope 2013 will be awesome as well. 

To all people who has been part of my 2012, Thank you very much!

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